Tag: practicebasedresearch

  • Love is a bird

    Love is a Bird

    Love is a bird,

    she’s singing her song,

    they said out of key,

    but boy they was wrong,

    their minds so nasty.

    She’s singing her song,

    she doesn’t care,

    love is a bird,

    free in the

    air. . .

    This creative work emerges from practice-based autoethonographic research where the performative work, I am Maria! functions as a site of investigation and transformation. A source which ignites creativity and self expression. A wamr invitation to explore more of my work here in my creative world.

  • Lonely Star

    Lonely Star emerges as a poetic reflection on the hidden self, exploring the tension between outward performance and inner truth. Written as part of the I am Maria! creative research project, the poem gives voice to the quiet, often unseen emotional landscape carried beneath the surface. Through rhythm and repetition, it reveals the experience of isolation, self-concealment, and the longing to be fully seen and heard.

    Lonely Star

    The ups and downs,

    the lows the things that nobody knows

    the face they never see

    hidden behind the curtain, 

    they’re blind,

    I hide

    behind a pose

    behind my prose

    behind the mask of

    my smile

    my style,

    my swag,

    and It presses heavily on my heart,

    it’s become an art,

    hiding that part, 

    the something I carry

    like a pack on my back

    24/7

    no escape – no heaven

    no relief underneath,

    but they will never know

    that it’s all just a show

    and in it’s the real me,

    the lonely star,

    who only I see.

    Lonely Star is a reflective poem and part of the creative research project I am Maria!

    This poem extends into a lyrical vocal expression, where the internal voice emerges through rhythm, spoken word, and sound.

  • Carmencita en fragmentos – Study II

    Carmencita…Study II

    An investigation into how I fit, if I fit, and what it means when I don’t.

    Study II of an exploration of the feminine archetype, Carmen returns to me again and again. Not as a role to perform, but as a myth to question.

    The reference here is most directly the Habanera – a melody so embedded in culture that even non-opera audiences recognise it. But beyond its familiarity lies something deeper: Carmen as rebel, as woman who refused to fit the narrative of her time.

    She does not follow societal rules. She does not soften herself to survive. She stands firm in her own truth, even when that truth costs her everything.

    I am drawn to the word l’amour. Love is layered, uncontrollable, untameable. “L’amour est un oiseau rebelle” love is a rebellious bird. It cannot be forced, contained, or owned. Carmen understands this. She identifies with it.

    These electronic investigations are organic and free. I never fully know what will emerge. Each experiment explores how Carmen might live inside my voice, through classical operatic mezzo sound, natural voice, spoken word, and electronic colour.

    TouchDesigner allows the visual world to destabilise and pulse unpredictably. Plug-ins become spice, like building flavour in a sauce, shifting tone, heat, and texture within the voice itself.

    This is not an attempt to recreate Carmen.

    It is an attempt to fragment her.

    To see what remains.

    How the pieces come together.

    To see where I fit.

    Carmencita en Fragmentos | Study II

    Link to Study I Love is a Bird